Leticia Dolera’s ‘Puberteit’ Bogen in San Sebastián, sold by Beta Film
In a sense, Spain has its own ‘adolescence’. No company can hope to break out in their wildest dreams such as the Netflix UK drama.
Non-temin, where comparison can be drawn with the Spanish series “Puberteit” (“Pubertad”), the successor of Leticia Dolera is the maker of her top winner of the Canneseries prize “Perfect Life” that “Puberteit” also focuses on the issue of teenage violence.
Sold by Beta Film and released by HBO Max on 24 September in Spain and Portugal, “Puberteit” was presented by Dolera and producer Miriam Porté at a controversial press conference Monday 22 September at the San Sebastián Film Festival, where Dolera is an industrial audience from the six-party-series Liep-Sericie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Serie-Fi-Fi-Fi-way mannerian
During the press conference, Porté remembered that the project started with Dolera, whose early dedication allowed the development to move forward. Once it had taken shape, the team turned to the cultural authorities of Catalonia. “Because this is not a series in Catalan, it is somehow as a natural gateway, so they were the first to support the project,” she said. That support was quickly followed by Francisco Vargas, director of the Audiovisual Area at ICEC, who, Porté, noticed, “immediately understood that ambitious, large -scale, quality series needed support, and they supported us.” TV3 and 3Cat soon arrived on board. “It would have been impossible without HBO, completely impossible,” she added and described the financing process as “very complex”.
In the first clip, Julia, a single mother and successful feminist journalist, and her teenage son lunch with her father Marti Sr., (Lluís Marco) head of a local human tower collective in a small town in Catalonia, and Martí played her brother by Xavi Sáez. Martí Sr. Is spoils for a fight with Julia, the catalyst comes when the mother states in a recontribution way that there is now even a feminist human pyramid. “Even that is not very happy with you,” Martí Sr. spits. Julia on to the bait. “Maybe she [feminists] Have motives, “she replies back.” The child needs a male reference, “Martí replies. Julia’s son looks uncomfortable. Then Pol, the young teenage son of Martí, can clearly not continue with the boy of Julia.
“The series has several layers,” says Dolera Variety. “One is in many ways in legacy. One is cultural and patriarchal, another family -based and psychological. All psychological legacy, taboos, how masculinity models pass from father to son and grandson.”
By that time, the series has already shown the local castle team, rehearsing the next day for a competition. Why did Dolera put ‘puberty’ in a small Catalan city in the world of human tower builders? “The human towers reflect a society, how to work as a group,” she said. “Associations are not created by individualized stay at home. Creating a castle means people meeting people, doing something together, where values, structures, ethical consensus come into play. Nowadays it seems almost revolutionary-the human trust. If the castle is not well built, it will be a beautiful paradigable, so the torch is the torch. Light, their contracictions. “
In the second clip, Julia meets a meeting with Estel, a friend played by Betsy Túrnez (“The 47”), who remembers an incident when she was a teenager with a boy, Ortiz, who wanted sex. She refused. He proposed oral sex instead. She didn’t want it, but went along. “This is not a case of crime, but an area that can generate wounds, traumas, in both parties,” Dolera explained. Later we see the incident that marked the self -respect of Estel, while Ortiz’s perception of women and sexuality has also been crooked.
In the meantime, rumors are building on social media that three teenagers in the Castells team are involved in a matter of sexual aggression. In a third scene, the group debates about what to do. Some want to go to the police. Others are worried that it starts publicly sponsors. Another reason for the caution of Martí can be that his son Pol is one of the accused. “The scene mainly shows the confusion of adults, who don’t know how to tackle the subject. It is an important, center scene in the series,” said Dolera.
That confusion reflects a Broader generational disconnect, dolera suggested: “So, I think it’s about reflecting as a community on this problem that I believe is allready blowing up in our faces, Because I have the feast that a phave generations of kids or kids of kids or whose, and whose are their are and whose and whose and whose are generations of kids, and whose are generations of kids, and whose are generations of kids and whose are generations of kids and whose are generations of kids and whose are generations of kids and whose are generations of kids and whose and whose are generations of kids and whose and whose are generations of kids and whose are generations of kids and whose and whose are generations of kids and whose and whose are generations of kids and whose are generations of kids and whose and whose are generations of kids are generations of kids and whohohohohohohohohohohohohy, and whoho. Parents are a bit Lost, also Absorbed by a capitalist System that Increasingly Swallows Theme Up and Demands More of Their Time at Pay For Housing, to pay for a lot of things, right? ”
“Puberteit” is produced by the Distinto films from Porté and Corte Y Confección Y Uri films, both led by Oriol Maymó, two of the most successful companies in Catalonia.
Launch by Miriam Porté, Barcelona-based Distinto Films is located behind Berlin 2025 Panorama Audience Award-winner “DEAF”, SXSW Best Performance Laureate “Mamífera” and Lucía Aleñar’s “Forastera”, a little more than a week before the Toronto Oplaonto Oplaonto Oplaonto Oplaonto scooped.
Maymó produced Cannes Jury Prize winner “Sirât” series “Vida Perfecta” and “La Línea Invisible”, as well as “Buried” selected by Sundance and took a production credit on “[REC 3] Genesis “and”[REC 4] Apocalypse.”
Distinto films and the URI films from Maymó produce “Puberteit” with the AT-Prod of Brussels. Go-Ahead Catalan public broadcaster 3cat co-produces.
