‘When no one sees US’ director and Max Originals Boss on Crime Drama

Max’s long -awaited Spanish original series “When no one sees us” (“Cuando NOS VE”) will premiere on 7 March in all areas where the platform is currently available.

Geregisseerd door de gevierde filmmaker en scenarioschrijver Enrique Urbizu (“La Caja 507”, “No Rest for the Wicked”) en met de in de hoofdrol Spaanse icoon Maribel Verdú (“Pan’s Labyrinth”, “Y Tu Mama También”), Mariela Garriga (“Mission Impositie – ‘Luis Miguel:’ The Walking – Dead – Dead – Dead – Dead – Dead – Dead – Dead – Dod Dood ”), The maximum original promises to be a striking one in the realm of the Spanish crime dramas.

The series, which has an example of the San Sebastián Film Festival 2024, has collected the praise of local critics. Based on the book with the same name by Sergio Sarria, the story unfolds during the Holy Week 2024, where the American way of life in the US Army Airbase is almost completely separated from the deep -rooted traditions of Andalusia.

There, Sergeant Lucía Gutiérrez (Verdú) of the Civic Guard investigates the unusual and hyper-violent suicide of a leading local figure and other strange events during the first holy week procession. Meanwhile, Magaly Castillo (Garriga), a Cuban-American special agent of the US Army, is sent to the military base of Morón to find a missing American soldier related to the hidden transactions of Colonel Seamus Hoopen (Ben Temple).

One of the striking features of “When No One Sees Us” is the focus on character development, which often emphasizes individual relationships on promoting the most important researchplot of the series. José María Caro, the new head of Max’s original fiction production in Spain, emphasizes that the series is not only a procedural thriller about an investigation, but a character -driven story that individuals whose life falls apart are often not related to the greater crimes that happen around them.

Caro, an accomplished TV director himself who helped episodes of the milestone mini-series “Desaparecida”, says that one line from the show summarizes it best: “If we are most vulnerable, when nobody sees us.” This theme of vulnerability and loneliness is a recurring element in the series, making the procedural story a deeper layer.

In his own words, Urbizu describes the series as “a thriller in broad daylight, in which behind the strictness, professionalism and uniforms enables us to accompany the characters in moments of deep loneliness.”

This unique approach sets the tone for a series that dives deep into the personal life, struggles and contradictions of his characters. “I think it defines the series beautifully,” says Caro. “It also defines one of the elements that distinguish this show from other crime dramas, which is the most important thing about this series.”

According to Caro, another important characteristic of the series is how it combines different genres to create something bigger than the sum of its parts. “When nobody sees us” starts as a procedural with the first few episodes that focus on the research before they evolve into a game of cat-and-mouse where the characters have to find and stop the perpetrator. This Genre-Blending approach adds depth and complexity to the series and creates a unique viewing experience.

Although the changes are in -depth, they are also subtly telegraphed. Urbizu uses cinematic language known from Thriller – and even horror and film Noir – films and series to let the audience know from the start that this show is more than just a typical police research drama.

“When nobody sees us” contains elements of supernatural realism, with scenes that fade the border between reality and the alien. Although the show remains based in its implementation, it often plays with views to offer different perspectives on the same events, some lucid, others much less.

Against the background of the Holy Week, “when nobody sees us” offers a rich cultural and social commentary. Urbizu notes that the series respects the traditions of Morón de la Frontera and portrays authentic, without extras disguised as Nazares (the brotherhood that performs fine rides during the Holy Week in Spain); Instead, it contains the actual brotherhood of Nazares with their hoods brought from home. This authenticity adds a layer of realism and fascinating local details to the series, whereby the audience is immersed in the cultural setting.

The series was filmed in Madrid and various surrounding municipalities, as well as in Morón de la Frontera and the American military base itself. De Scheuten on location led to an exploration of the dynamics between the American military staff and the local residents. Urbizu says that the coexistence between the two groups is based on respect and discretion, in which the series simplifies some of the more complex aspects to concentrate on the US army. This exploration of cultural intersections adds a different dimension to the story, which emphasizes the unique setting of Morón de la Frontera.

Caro says that the vision and ability of Urbizu to give characters the necessary time to present and develop, and gradually introducing their weaknesses to the viewer is essential for the final success of the show.

“His skill was the key to us,” explains the executive power about Max’s decision to support Urbizu. “For us, talent is fundamental. The director’s vision is fundamental. I believe that nobody could have made this series as Enrique could have. ‘

He describes Urbizu’s approach to direct as ‘transparent and clean’, with a focus on the characters and their stories. According to Caro, Urbizu emphasizes the importance of small details, and notes that the differences between characters are found in these subtle nuances.

Urbizu says: “There are no small details,” indicate different pieces of in advance that we will not include in this article to avoid spoilers.

He says that with this series he wanted to create a serene story, despite the often Grizzly actions that it turns around. He avoids the fast, cliffhanger-driven style of commercial television thrillers to the climax of EP. 7 – And want to finish episodes smoothly, so that the story can unfold naturally. This approach determines “When No One Sees US”, apart from most other series, and offers a more thoughtful and reflective experience.

Max is bullish in the series and believes it is fascinating. It combines exciting crime drama with deep character exploration and cultural commentary. By combining narrative and visual languages ​​of different genres, authentic traditions and leaning on the skilled direction of Urbizu, the series seems to be a highlight in the streamer’s catalog of the streamer.