domain
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Entertainment
Elizabeth I’s manuscript copy of Pierre Boaistuau’s *Histoires Prodigieuses* (1559) — The Public Domain Review
Beelzebub, Boaistuau claims, incarnated in two places on earth. First he ruled over the Temple of Apollo at Delphi, where…
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Entertainment
The Glass Delusion and Its History – The Public Domain Review
Three centuries later, Foucault argued that Descartes had not only excluded the glass man from his rationality, but also employed…
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Entertainment
Giant Products Postcards (1909) – The Public Domain Review
The series of exaggeration maps collected below focuses on California. Produced by prolific San Francisco publisher Edward H. Mitchell, each…
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Entertainment
David Goodman Croly’s *Glimpses of the Future* (1888) – The Public Domain Review
The book takes the form of a dialogue, a question and answer between a statesman, publicist, voter, clergyman, social reformer,…
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Entertainment
Fashion, Politics and Identity in Mughal South Asia – The Public Domain Review
Performances played an enormous role within the court theater. The emphasis on dress, which was an inescapable reality of public…
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Entertainment
José Guadalupe Posada’s Engravings of Unusual Births (ca. 1880–1910) – The Public Domain Review
As cultural critic Ilan Stavans writes: “Just as enjoyable and for me the most attractive is the Posada who transports…
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Entertainment
*Tiny Cryptic #4* — The Public Domain Review
This is the fourth in a new series of extremely small and free cryptic crossword puzzles, published every two weeks…
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Entertainment
*Ostrich Eggshell Cups of Mesopotamia and the Ostrich in Ancient and Modern Times* (1926) — The Public Domain Review
Laufer’s chapters are organized by region and period. Palestine, Syria and Arabia are discussed first. While Leviticus and Deuteronomy classified…
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Entertainment
Charlotte Perkins Gilman’s *Herland* (1915) – The Public Domain Review
But perhaps most surprising, especially given Gilman’s own romantic entanglements with women, is that before the men arrive, Herland is…
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Entertainment
A look inside the ruse of a French-Armenian con artist – The Public Domain Review
Finally, and perhaps most effectively, Calfa allowed people to interpret his story as they wished and capitalized on coverage of…
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