Parsing Emmy Noms, Owen Gleiberman on ‘Nashville’: Daily Variety

After months of predictions, prognistication and heavy FYC campaigns, the big day finally arrived on Tuesday as the unveiling of the 77th annual Emmy Award nominations awarded HBO Max, Netflix and Apple TV+ as top shops of the city.

These stories are included in today’s ‘Daily Variety’, a new podcast with conversations with Variety Journalists about news, trends and personalities that make waves in media and entertainment.

Apple TV+ drama “Severance” led the Emmy field under shows with a surprisingly strong count of 27 nominations for the long-awaited second season of the reality-bending drama. HBO Max was on the Leaderboard in general with a platform record-best 142 Noms. In the meantime, Apple TV+ also claimed the most nommed comedy of the year with a buzzing first -year student ‘The Studio’.

Michael Schneider, Variety‘s Television -Editor and Clayton Davis, editor -in -chief of the Awards, analyzed the signals sent by some voters of the television academy embraced – and what they did not do. The lively conversation also touches Emmy’s persistent category and the serious work of diversity, equity and inclusion in a rural races and the real reason that large and small platforms invest in trying to win these winged gold statuettes.

Davis notes that the total number of NOMs for actors with an under -represented background this year has fallen to the lowest level since 2020. But that was no surprise given the nature of this year’s contenders.

“For this year, 24 out of 94 available [acting nomination] Slots were occupied by people of color, about 25%, “explains Davis.

“2022 was a record year for [Emmy inclusion]With 42 nominees. I always come in these conversations to say, it is easy to blame the TV academy or the Film Academy for Oscarssowhite. And there is some responsibility for voters to look as much as possible. However, [awards] are a reflection of the industry. And in this time where we are falling a 3% [total Emmy] Last year’s entries, which had a decrease of 6 % compared to the previous year, and Dei is constantly attacked, “says Davis.” I thought we would be in the 19 series. So 24 was actually better than I expected. ‘

As Schneider notes, winning Emmys is really good for business in the on-demand and direct-to-consumer streaming era.

Related content: Emmy Nominations 2025: ‘Severance,’ ‘The Penguin,’ ‘The Studio’ and ‘The White Lotus’ Leiden the package

“These streamers are constantly dealing with Churn. They really have to sell themselves to the public at their value proposition and what better value proposition than your customer tell that we have the best programming, we have quality programming and here is evidence – we are the most nominated Emmy,” says Schneider. “It really matters now as a business proposition for these companies in a way that it did not return in the broadcasting days where you were more focused on advertising and rating were a different type of currency.”

The episode also contains Owen Gleiberman, Variety‘s main film critic, who discussed the film that has changed the course of his life, is Robert Altman’s’ Nashville’, while the 1975 film marks his 50th birthday. Gleiberman explains how the heady mix of Altman’s naturalistic filmmaking style and the post-water gate Malaise of America a “religious experience” for him as a university first-year student at the University of Michigan contributed.

“I had never seen a film that reflected life like ‘Nashville’ did. It literally seemed to be these 24 characters who were walking around the country music capital, stars, fans, pendants, hangers-on. It seemed as rich and full as life outside the screen. And the film, assumed.

Altman died almost 20 years ago, but his influence as Helmer remains strong. To know, “The Studio” has several large wink-and-nod moments that refer to Altman’s last really great film, 1992’s “The Player”. The tribute starts with Griffin Mill, the name of the studio director played by Seth Rogen in “Studio”. Tim Robbins played a Venal, murderous director with the same name in ‘The Player’.

“The studio,” of which I love, is very “son of the player” and knows, “says Gleiberman.” “The player” was just a visionary film about Hollywood. “

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(Depicted: “The Studio” Stars Seth Rogen, Kathryn Hahn and Ike Barinholtz))