Netflix series ‘The Eternaut’ plowing millions in the economy of Argentina
Just confirmed as number 1 on the worldwide top 10 list of Netflix of the non-English language series of a week after the premiere, “The Eternn Naut” has plowed 41 billion pesos in the economy of Argentina, Netflix has unveiled to Variety.
Whether it is calculated in historic dollar rates for 2023, when “De Etern Naut” was in production, where 41 billion pesos came to around $ 70 million, or through current exchange rates, where 41 billion Argentinian PESO is worth half, the economic injection is an extraordinary indicator of the entire world’s value.
With the help of common economic practice, the total investment, a burgh you on GDP, includes both direct production expenditure and the wrinkle effect in the supply chain. Netflix noted.
For the week April 28, Sunday, May 4, “The Eternaut” collected 10.8 million views worldwide, the production landed in the weekly top 10 series in 87 countries, including Brazil, France, India, the US, Italy, Mexico, Germany and Spain, making the right bet on Bruno Stagnaro. By Héctor G. Oesterheld and illustrated by Francisco Solano López.
The six-part SCI-Fi-episodic, written by Stagnaro and Ariel Staltari with Martín M. Oesterheld as a creative consultant, was produced by Hugo Sigman, Matías Mosteirin, Leticia Cristi, Diego Copello in the K&S films of Argentina.
The scale of the Eternn Naut is unprecedented for Argentina. The series is one of the most ambitious productions of Latin -America so far, a national cultural tent -pole in the same competition as the “Senna” of Brazil and the “hundred years of loneliness” of Colombia; Generating a raw buzz that keeps shining through the streets of the city, where the locals can hear the efforts and preventively yearning for season 2.
The story follows a group of restless protagonists After a creepy summer snow, the once targeted metropolis of Buenos Aires turns into a ghost city, in which the majority of the population is killed. In the middle of the increasing obstacles, the friends wade through anger, apathy, sorrow and uncertainty to survive a non -repellent enemy.
Ricardo Darín (“The secret in their eyes”), Staltari (“El Puntero”), Carla Peterson (“Lalola”), César Troncoso (“Yosi, The Regretful Spy”), Marcelo Subiotto (“Puan”), Andrea Pietra), Andrea Pietra,), Andrea Pietra), “), Claudio” El Agrónomo “), Ancraa Pietra (” Socias “), Claudio” El Agrónomo “), one Orianna Cárdenas and Mora Fisz Star.
The project marked the first screen adjustment of the series and was set in motion in 2019 and included two years of script development and writing, four and a half months pre -production, 148 days of filming in Buenos Aires and more than a year and a half after production.
With 50 locations in Buenos Aires, 25 artists who contribute to 35 virtual sets and 2,900 people involved as cast, extras and stunt dubbels, in addition to a production plow of more than 400, the scale of the De Ante project, which is lawfully raised the width of the audiovisual talent of Argeninia, while the country is the land.
Generating hundreds of local jobs, “The Eternasut” activated dozens of service providers and marked a milestone for the Audiovisual sector of Argentina as the first regional production of this scale to combine real and virtual sets.
With the help of photogrammetry and 3D scanning – combining drones, cameras and various technologies – the crew conquered the vast streets, trains, facades and urban landscapes of Buenos Aires with demanding accuracy. The nods to Argentina were in abundance, because the team had complete creative control and had made real-time adjustments during the shoot to generate the HomeSpun story line, to maintain the essence of the strip while lending a dose of live action adrenaline to the updated, still relevant, social criticism.
John Hopewell has contributed to this article.
