Lady Gaga Knock -Out ‘Abracadabra’ and ‘Killah’ on ‘SNL’

Speaking of ‘Abracadabra’, Lady Gaga may have collected the ultimate ‘Saturday Night Live’ magic trick during her two musical songs in this week’s episode: Furious Dancing And Live singing.

That combination is not for every “SNL” musical guest, let alone someone who also sets energy as a host who appears in almost every sketch in the show. But Gaga took it out with “Killah” Aplomb (if that is not the point of insulting the catchy superlative-on-bar characters in the final kit).

Gaga appeared in each segment of the 90-minute show, but two, the only exceptions are the cold open and weekend update with Trump theme. But whatever effort she had made in practiced lines for the sketches, clearly had not taken any time of which hours were spent on rehearsing the choreography for two musical songs that made “hyperkinetic” felt a sad understatement.

Her first song, ‘Abracadabra’, put out his hand and took you by riffing on the costumes and design of the music video with Crimson theme for that single, with Gaga and dancers who moves Herky-Jerky Lockstep on a mirrored set that is designed a little more stadium.

Her second song was the live premiere of a song that was unveiled to the public only 48 hours earlier, when her new album “Mayhem” was released. In that short time, “Killah” has already become a favorite of fans, with his retro-funk styles, so many of her devoteed at home greeting this album undoubtedly at least as enthusiastic as if she had released a biggest hit.

Gaga exchanged red for Purple in this second showcase – perhaps as a nod to the apparent Prince inspiration that has cited almost every early album review when describing ‘Killah’. She went even more intensively in the wild for this appearance, she turned a considerable part of the backstage at 8h in her playground, traising the corridors with background dancers-incorporation, stairs-in-the-broadcast moment caught by an overhead camera-of-person she came up in the mirrored set for the audio audience. Her rock with a full band found this return to that set, in contrast to the electrical doll of the opening number.

A tiring purple government? It seems that way, but the conclusion of her second song did not mean that she had finished singing for the night, because she again appeared in the regular drag later for a final sketch that her singing was comical material.

And that wasn’t even her first singing performance in one of the sketches of the night-firster, she had sung an irreverent parody version of “Wonderful Tonight” in a restaurant-set duet with Bowen Yang.

Gaga’s other “SNL” height points for the night were, among other things, pissing on herself with an opening monologue in which she allowed the writers Gamely to pins about her “Joker” film and about having R. Kelly as a musical companion the last time she organized the show.